|
Allen, Robert G. |
MA 1997 |
The Genial Bed in paradise lost : Milton's attitude toward the flesh |
|
Baker, Brain |
MA 1994 |
In the wake of the mariners : Coleridge and Melville |
|
Benevides, Peter J. |
MA 1990 |
An analysis of renaissance influences in the depiction of kingship in two tragedies and two history plays of William Shakespeare |
|
Berard, Wayne S. |
MA 1981 |
Achieving the Grail, Charles Williams and the Arthurian saga |
|
Bethea, Arthur F. |
MA 1988 |
A reading of Tortilla Flat |
|
Bouchard, Daniel F. |
MA 1983 |
Edith Wharton's utilization of the triangular love affair as vehicle for analysis of male-female love relationships in four novels: the touchstone, the fruit of the tree, the reef, the age of innocentENGLISH |
|
Chiles, Mary S. |
MA 1984 |
Saul Bellow's novels : a study in protagonist/antagonist interrelationships |
|
Cohen, Linda A. |
MA 1999 |
Beatification and the beast : the inscape and instress of Gerard Manley Hopkins in Annie Dillard's Pilgrim at Tinker Creek |
|
Constantine, Jennifer A. |
MA 1997 |
Expressions of generosity in the writings of Samuel Taylor Coleridge |
|
Corvini, Robert |
MA 1983 |
Five contemporary American novels: a hope for humanness |
|
Crowell, Karl P. |
MA 1976 |
A return to ancient forms: a study of the evolution of D.H. Lawrence's Lady Chatterley's lover |
|
Currivan, Donald J. |
MA 1990 |
Neo-Platonic Love in Tenny son's In Memoriam, Maud, and Idylls of the King |
|
Despres, Gina L. |
MA 1998 |
Shelley : the impatient romantic in nature, mind, and memory |
|
Emde, Steven |
MA 1995 |
Style and theme in the poetry of George Herbert |
|
Evans, Angela M. |
MA 1998 |
The poetry of Charlotte Smith : a new romantic paradigm |
|
Faria, Scott D. |
MA 1997 |
Bearing the cross of the dharma : the spiritual essence of Kerouac's Legend of Duluoz |
|
Fountain, John D. |
MA 1975 |
Malraux's la condition humaine: a study in duality |
|
Ginsberg, Carol F. |
MA 1992 |
Transformation and identity : a study of temptation in three Jacobean tragedies |
|
Goode, Dennis P. |
MA 1993 |
Dimension of comedy in Twelfth Night |
|
Grande, Susan |
MA 1995 |
Silence, communication, and the family in the novels of Virginia Woolf |
|
Grande-Conley, Maria A, |
MA 1993 |
Musical imagery in "To Constantia Singing" and other lyrics: Shelley's invocation to the divine |
|
Gunner, Sonia M. |
MA 1975 |
John Crowe Ransom: an equilibrist's perspective on women |
|
Guo, Hui-Yun |
MA 1988 |
A citizen some where else: travel in Hemingway's life and fiction |
|
Hampl, William S., III |
MA 1996 |
Malevolence in the works of Jeanette Winterson |
|
Harren, Annmarie C. |
MA 1993 |
Robert Browning: a changing voice with constant love |
|
Hopkins, John E |
MA 1993 |
The importance of ancestry in the writings of Kurt Vonnegut Jr. |
|
Ianetta, Melissa |
MA 1997 |
Byronic gendering in the poetry of Letitia Blizabeth Landon |
|
Jackson, Timothy F. |
MA 1997 |
Transcendental functions of Aemila Lanyer's poetry |
|
Johnson, Andrea |
MA 1999 |
Jonathan Swift's Gulliver's Travels : a history of travel literature |
|
Keniston, Jennifer-Lynn |
MA 1999 |
The Unicorn : Iris Murdoch's deconstructionist game |
|
Kenney, Sara C. |
MA 1976 |
Folklore of terror : Ann Radcliffe's the Italian |
|
Kent, Jeffrey P. |
MA 1976 |
The woman as destroyer in the novels of F. Scott Fitzgerald |
|
Kilfoye, Charles F. |
MA 1995 |
The European Influence on Nathanael West |
|
Klotz, Lee D. |
MA 1993 |
Time in comedy : Tristram Shandy in the light of As You Like It |
|
Kranes, Nacy T. |
MA 1996 |
Marvell's quest for balance |
|
Lamb, Carol E. |
MA 1983 |
A comical treatment of the grotesque by three southern writers : Eudora Welty, Flannery O'Connor and Harry Crews |
|
Lyman, Lucinda L. |
MA 1993 |
The impact of David Hume on Virginia Woolf's Jacob's Room, Mrs. Dalloway, and To the Lighthouse |
|
Martelli, Susan J. |
MA 1987 |
Jane Austen's ironic vision of courtship |
|
Mather, Robert A. |
MA 1999 |
Temptation as ironic catalyst in Milton's Paradise Regain'd |
|
McGlynn, Ruth P. |
MA 1988 |
Dialectic of society and self : Tietjens' reconstruction in Ford Madox Ford's parade's end |
|
McSweeney, William T. |
MA 1992 |
Longinus and William Congreve's the Way of the World : a new perspective on classical inspiration and rhetorical mastery in the comedy of manners |
|
Moore, James G. |
MA 1980 |
The river is always there |
|
Mortimer, George W., Jr. |
MA 1980 |
Neil Simon : middle-class comic genius |
|
Murphy, George E. |
MAT 1976 |
Responding to literature |
|
Myers, Mary H. |
MA 1988 |
Hemingway as a twentieth century romantic |
|
Nicholaides, Joan M. |
MA 1995 |
The influence of Jane Eyre on contemporary visions of women of integrity |
|
Norton, Maura B. |
MA 1998 |
The lost children of three victorian novels |
|
O'Halloran, Kathlee A. |
MA 1981 |
A hundred little chinks of daylight : the child and the adolescent in the middle period of Henry James |
|
Ohrenberger, Stephen A. |
MA 1978 |
A poetic credo as depicted in William Carlos Williams's Paterson |
|
Ostergaard, Lori A. |
MA 1998 |
T.S. Eloit's murder in the Cathedral and Lord Byron's Manfred : the modern morality play as vehicle for morality and mysticism |
|
Pappas, John T. |
MA 1985 |
The second self : exorcism and perfection |
|
Pearson, Nancy J. |
MA 1992 |
T.S. Eliot and narrative point of view |
|
Pepin, David B. |
MA 1991 |
Poetic technique and Seamus Heaney's Station Island |
|
Perrone, Ruth K. |
MA 1994 |
Despair and hope in modern English drama |
|
Ramos, Joseph M. |
MA 1984 |
Shakespeare and war |
|
Ransden, David G. |
MA 1997 |
Biblical allusion in selected works of Thomas Hardy |
|
Rasher, Sofia A. |
MA 1989 |
Mothers and children in Toni Morrison's novels |
|
Record, Lucilia D. |
MA 1993 |
Letters in Jane Austen : form and function |
|
Rice, Sharon |
MA 1996 |
Guilt as exoneration in the works of Thomas Hardy |
|
Riley, Patricia J. |
MA 1981 |
Irish American women writers : freeing an enslaved spirit |
|
Roache, Marilyn V. |
MA 1995 |
The dialogue of transformation in the poetry of Gerard Manley Hopkins |
|
Rogash, James J. |
MA 1984 |
Recurring themes in Kate Chopin's fiction |
|
Rogers, Linda K. |
MA 1982 |
Convergence of Traditions in Richard III |
|
Rongner, Robert E. |
MA 1993 |
The romantic dimensions of Alfred Tennyson's early volumes and in memorian A.H.H. |
|
Ryan, Constance M. |
MA 1975 |
Thomas Hardy : a poet's vision of woman |
|
Shea, Michael |
MA 1984 |
The electra-orestes myth : a study in dramatic development |
|
Sullivan, Gail M. |
MA 1977 |
Thematic development by narrative viewpoint : a study of three twentieth century novels |
|
Sweeney, Mary. |
MA 1980 |
A study of seduction as a Celtic motif in selected works of William Butler Yeats |
|
Szatek, Karoline |
MA 1990 |
Wit, Whither Wilt? : the play of wit in As You Like it and "The Way of the World" |
|
Troupe, Bonnie L. |
MA 1992 |
Topic, technique, and tone : Thomas Hardy's poetic influence on Philip Larkin |
|
Walsh, Elizabeth A. |
MA 1994 |
The theatrical presence of the absent characters in the plays of Sam Shepard |
|
Walsh, Thomas A. |
MA 1993 |
Wordsworth's reconciliation of death and immortality through the relationship with solitary rustics |
|
Wood, Sharonlee B. |
MA 1985 |
A happy doom : Byron's attitudes toward women and love |
|
Yang, Dong |
MA 1990 |
The theme of moral and spiritual waste land in four selected novels of F. Scott Fitzgerald |
|
de Silva, Claude I. |
MA 1977 |
Bernard Shaw : iconoclast and crusader |
